Detailed comparison of the Panasonic S5 with the Panasonic S1.
I adore this camera, as well as the creamy bokehs produced by the Nokton. I was on the verge of purchasing an SL2 when my pocketbook grabbed hold of my clicking finger and begged me to take a step back and think this one through a bit more carefully before proceeding. So I went back and read your S5 review again, and I’ve come to a different conclusion. As far as I’m concerned, higher-resolution sensors are superior these days, and I agree with you.
Comparison of Characteristics
A raw image file comprises data from the image sensor that has been processed to the bare minimum. Raw files are so titled because they have not yet been processed, and as a result, they are not ready to be printed or modified using a bitmap graphics editor at this time. Slow-motion is an artistic video effect that gives the impression that time is moving more slowly. It is accomplished by recording a video at a frame rate that is greater than the typical playback rate of 24 or 30 frames per second.
However, it is still competitively priced with the S5’s competitors and performs well. The SL2 has the same 5.76m-dot EVF as the S1R, and although it’s far better than what’s in the S5, I didn’t find myself longing for the viewfinder that came with the SL2. I think it’s even better, at least in terms of color and what it produces, than the EVF in my X-T3, which has 3.69 million dots and is a little smaller.
If you combine it with smaller glass, such as the Sigma I Series lenses I discussed before, then you have a fantastic system that is capable of handling almost any situation. If you’re trying to go into L mount and you’re looking at Panasonic, I’m sure a lot of you are aware of the S1 and S1R bodies, which are both excellent choices. Because both of those bodies are targeted at the upper echelon of the market, their price tags are also greater. In the event that you don’t want to spend so much money but yet want something that is more small than those two selections, the Panasonic Lumix DC-S5 may be the camera that will meet your requirements. Following considerable contemplation, I’ve come to the following conclusion. Most current cameras are capable of shooting video in some form or another, but these are the models we’d recommend if you want to capture video in addition to your photographs.
Panasonic Lumix Dc is a digital camera manufactured by Panasonic.
The S5 includes an articulated screen that can be rotated so that it is facing the user. Video bloggers and photographers who are interested in capturing selfies will find this feature to be very useful. The shutter speed information provided pertains to the usage of a mechanical shutter and is not accurate. However, some cameras simply have an electronic shutter, and others have both an electronic and a mechanical shutter in addition to one another.
So let’s start with a look at the general design and ergonomics of the device. The S1 and S1R bodies are quite well-constructed, although one criticism is that they are not sufficiently compact. Panasonic did an excellent job with the DC-S5 in resolving this problem, and I have to commend them on their efforts. According to the manufacturer, the S1 measures 5.22 x 3.82 x 3.22′′/132.6 x 97.1 x 81.9 mm, making it somewhat smaller than Panasonic Lumix DC S1 vs Panasonic Lumix DC S5 the Panasonic GH5, which is not even a full frame camera but a micro four thirds camera, as seen in the image below. With regard to its overall weight, the S5 is just 1.57 lb/714 g, making it far lighter than the S1, which weighs 2.25 lb/1021 g. With the CFexpress, you not only have a burst shooting edge, but you also get better overall responsiveness.